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Jeffrey James Consulting, Inc.
45 Grant Ave., Farmingdale, NY 11735 clear     Tel: 516-586-3433   clearE-mail: jamesarts@att.net
 Beth Anderson
"At the start of the twenty-first century, composer Beth Anderson is one of the most exciting personalities on the American classical music scene, bucking trends of formalism and attempting to make touch with her inner self, tastes and identity in her music."
- David N. Lewis, Assistant Classical Editor, All Music Guide                                  

"Anderson's Postminimal Music Can be Charming and Deeply Felt to the Point of Romanticism."

-Village Voice                                  
  • Read the Spring 2010 Issue of Anderson's Swale Newsletter
  • Read About Nancy Boston's New American Women: Modern Voices In Piano Music CD Featuring Selections by Beth Anderson and Judith Lang Zaimont Here
  • New CD From Beth Anderson - Swales and Angels - Read About It Here. Read Rewviews Here and Here. More reviews can be read Here, and Here.
  • Read the New Electro-Music.com Interview With Beth Anderson.
  • Read the New Lexington Herald-Leader Interview With Beth Anderson here.
  • "Swales and Angels" - An Evening of the Music of Beth Anderson - November 19, 2003, at Carnegie Hall's Weill Recital Hall. View Photos From That Evening Here.
  • Read Beth Anderson's Essay About Her Music for American Music Center's Newmusicbox Here
  • Recent Performances: National Museum of Women In the Arts - Washington D.C., Cami Hall, New York, Merkin Hall, New York, San Jose Chamber Orchestra, the Vlaams Radiokoor In Belgium, Altissona Duo In Sao Paulo, Brazil, the Arundel Trio of the Austin Chamber Music Center, Kona Symphony, Hawaii, North River Concert Series, New York, Ghent at Der Rhode Pomp, Etowah Youth Symphony In Gadsden, Al, Ought-One New Music Festival In Vermont, Cincinnati Conservatory of Music, University of Maine, Kosciuszko Foundation, New York, the Hewlett-Packard Symphony, California.
  • Commissions: Minnesota Sinfonia, Staten Island Symphony, Cabrillo, Music Festival, Soho Baroque Opera Company, San Francisco Conservatory's, New Music Ensemble, University of the Redlands' New Music Ensemble, Collegium Musicum Carinthia, Montclair College Dance Festival, Daniel Mccusker & Dancers, Bonnie Scheibman & Dancers, Darren J. Campbell and Keith Borden, Andrew Bolotowsky, Marlow Fisher, Mimi Dye.
  • Premieres: Collegium Musicum Carinthia Premiered Three Swales for String Orchestra In Antwerp, Belgium, October 2001 at Flanders Festival; Rubio String Quartet Performed Her March Swale at the Library of Congress In Washington D.C. In March 2002. the Accidentals Premiered Precious Memories for Chorus.
  • Read What Kyle Gann Wrote About Anderson In Chamber Music Magazine's American Composer Feature.
  • Publishers: Antes/Bella Music, Recital Music, E.M.I/Joshua Corporation/Boston Music Co.(800-634-4682), Distributor, Schirmer Books, Ear Magazine, Flash Art, Heute Kunst, Women's Work. Catalog Available On-Line at http://Metalab.Unc.Edu/Nywc/ Or Go to http://users.rcn.com/beand/compositions.html.
  • CDs - Minnesota Swale and Revel (for Orchestra) On Opus One, Trio: Dream In 'd'(for Violin, Cello and Piano) and Net Work (for Piano Solo) On North/South Consonance, September Swale (for Mandolin and Guitar) On Antes/Bella Musica, and Lullaby (for Voice and Piano) On Capstone, Belgian Tango (for Violin, Piano and Accordion) On Newport Classics. CDs Available Through Amazon.com.
  • Visit Beth's MySpace page and Women's Work page
  • Website: http://www.beand.com

For more information, email Jeffrey Jamesjamesarts@att.net



 Daniel Binelli, Bandoneon

  • International orchestras, ensembles, Tango companies and soloists have commissioned and/or performed his works, including Zurich Symphony, Edmonton Symphony, Buffalo Philharmonic, Colorado Music Festival, Montevideo Philharmonic, Colombia Symphony, and Buglisi/Foreman Dance Company as well as Osvaldo Pugliese Orquesta Tipica (Argentina) and Tango 7 (Switzerland)
  • Internationally renowned master of the bandoneon
  • Composer of Homenaje al Tango - http://www.youtube.com/watch?v=QH1Kc-YayHY
  • Acclaimed as the foremost exponent and torchbearer of the music of Astor Piazzolla
  • Featured on the 2010 Grammy-nominated Naxos CD 8.572271 – Astor Piazzolla – Sinfonia Buenos  Aires - soloist in Piazzolla’s Bandoneón Concerto, with conductor Giancarlo Guerrero and the Nashville Symphony Orchestra
  • Works frequently with pianist Polly Ferman in Binelli-Ferman Duo - http://www.binelli-ferman.com
  • Recordings on Universal, Sondor, Decca, Black Sun, Dorian and many others - http://www.danielbinelli.com/ndb/discography/
  • Website: http://www.danielbinelli.com
For more information, email Jeffrey Jamesjamesarts@att.net


"The Brooks Seascapes[sic] (for orchestra) hints strongly at Debussy and Benjamin Britten...deftly exploitive of an orchestra's sonic possibilities...from the opening soft hints of sound, lows and highs seeming to come from the depths and the firmament, through breezes and gale and stormy tumult and, finally, a returning calm"
- Jacobi, Herald-Tribune                                  

"The high points were undoubtedly Richard Brooks' Collage (for wind ensemble)..[which was] received enthusiastically by the large audience. The quintessentially romantic Collage played upon three ideas, culled from the first four measures of the piece: four chordal sonorities, a crescendo-diminuendo silhouette, and a rapid 'riff' in the marimba. Incessantly repeated six-note segments of the D-major ascending and C-major descending scales, derived from the marimba riff, propelled the work forward through a dense frenzy of material."
- Dominick, Perspectives of New Music                                  

"I wanted this [CD] to be great, and I was not disappointed...I kept returning to the Brooks (Circular Motions for flute, clarinet and piano - Innova label) ...it's heady stuff, but still great fun..."
- Chaffee, American Record Guide                                  

  • Read Richard Brooks' Set Piece Newsletter Here
  • Compositions performed at major festivals in the United States, Romania and Ukraine.
  • Important commissions from the Kent Philharmonia Orchestra in Grand Rapids, Michigan, The Lark Ascending and Harpsichord Unlimited.
  • His opera Robert and Hal broadcast on Manhattan Cable TV in 2009.
  • His first opera, Rapunzel, commissioned by the Tri-Cities Opera (Binghamton) also produced by Opera Theatre of Northern Virginia, Wolf Trap Farm Park for the Performing Arts, the Denver Symphony and Cincinnati Opera for a total of over 80 performances.
  • New Music Connoisseur New Music Champion for 2006-2007.
  • Selected Composer of the Year (1994) by New York State Music Teachers National Association.
  • Served as President of the American Composers Alliance (1993-2002); Chairman of the Board of Governors 2002-present.
  • Founder and longtime CEO of Capstone Records.
  • Composer Fellowship from the National Endowment for the Arts.
  • Officer in several national and regional composer organizations, such as SCI, LICA and the New York Composers Circle.
  • Website: http://www.richardbrooksmusic.com

For more information, email Jeffrey Jamesjamesarts@att.net



"Mr. Cohn Has Technical Skill, An Inventive Musical Imagination, a Flair for Setting Text to Music and a Sense of Humor. All these Qualities Are As Rare As they Are Admirable, and It Is to be Hoped That Mr. Cohn Will Soon be Heard From Again."
- New York Times                                  

"James Cohn's Music Is Light and Gay Yet Thoroughly Classical....Chief Characteristics Are Brevity, Wit and Clarity; Cohn's Melodies Are Charming."
- Fanfare                                  

For more information, email Jeffrey Jamesjamesarts@att.net



"The Evening's Freshest Encounter Was Dillon's First Symphony, Written Brilliantly for Its String Choirs and Demonstrating That Every Modern Symphony Doesn't Require Steroidal Brass and Percussion forces. Dillon Argues His Case Principally Through Strings and Woodwinds, Flavoring the Mix With a Pair of Horns. Propulsive Energy Defines the First and Third Movements, Which Possessed Exceptional Structural Rigor and Harmonic Richness. Even More Remarkable Was the Second Movement - A Slow, Ghostly Sequence With Slightly Freakish Double-Bass Solos and Small, Plaintive Exclamations From the Oboe. the Entire Symphony Testifies to the Composer's Compelling, Innate Soulfulness."
- Louisville Courier-Journal                                  

"Lawrence Dillon's Flute Concerto ... Is Truly An Outstanding Work. Cast In a Three-Part Movement form, the Piece Successfully Maintained An Extremely Coherent and Powerful Dramatic Flow ... Dillon's Unique Compositional Voice Clearly Makes Itself Heard. [A] Passionate and Often Unpredictable Work."
- Charlotte Leader                                  

  • Read the 2014 Issue of Infinite Curves Here.
  • Lawrence Dillon - New American Composer Feature In Chamber Music Magazine: Page 1, Page 2.
  • New CD: Chamber Music by Lawrence Dillon On Albany Records - Performed by Cassatt, Mendelssohn and Borromeo Quartets Along With Flutist Ransom Wilson and Bassoonist Jeff Keesecker.
  • Winner of 2001 Leonard Bernstein Award for Educational Programming From Ascap and the American Symphony Orchestra League for Snegglish Dances, Premiered by the Louisville Orchestra
  • Composer In Residence and Director Of Performance Series for the North Carolina School of the Arts - http://www.ncarts.edu/
  • Vision, Variations, Reflection Received European Premiere In Aix-En-Provence In 1999
  • Winner of Berlin Composition Prize
  • Violin Concerto Commissioned and Premiered by Naumberg Winner Elaine Richey
For more information, email Jeffrey Jamesjamesarts@att.net



Salvatore Di Vittorio Composer and Conductor
"I strongly believe in Maestro Di Vittorio's talent not only as an elegant conductor, but also as a gifted composer. His conducting style follows and respects the tradition of the Italian schools. After studying his symphonies and opera, I praise his beautiful compositions, his tonal melodic lines combined with original harmonic treatment and rhythmic vitality"
- Maestro Piero Bellugi, Former Artistic Director of Teatro Massimo Opera Palermo                                  

"Mr. Di Vittorio led his ensemble in the final concert of its inaugural season in a program called "Souvenir from Florence", which highlighted the string section. The musicians played with vigor and commitment throughout the evening, producing a polished, rich sound. The Adagietto from Mahler's Symphony No. 5...received a stirring performance. The orchestra concluded the evening with a voluptuous rendition of Tchaikovsky's popular Souvenir de Florence."
- Vivien Schweitzer, The New York Times                                  

  • Music Director and Founder of the Chamber Orchestra of New York
  • Resident Conductor of the Adelphi Symphony Orchestra at Adelphi University
  • Former positions include Accademia Musicale Siciliana (Palermo), Chamber Ensemble of Rome, Florence Symphonietta
  • Has also conducted the Vancouver Island Symphony, State Symphony Orchestra of Sofia (Bulgaria), Danbury Symphony, Royal College of Music Symphony (London), and Festival Sinfonietta Umbra di Perugia.
  • Music published by Carisch of Warner Bros./Edizione Panastudio in Italy - Website: www.carisch.it. CDs Available On the Panastudio Label; Mailto: Panastudio@Oasi.net
  • Premieres of Symphonies include Teatro Massimo Opera Orchestra, Orchestra Filarmonica Franco Ferrara, San Jose Chamber Orchestra, Chamber Ensemble of Rome, Florence Symphonietta, Accademia Musicale Siciliana, Orvieto Music Festival
  • Website: www.salvatoredivittorio.com

For more information, email Jeffrey Jamesjamesarts@att.net



Joel Feigin

  • Composer of opera, orchestral, chamber, vocal, choral and solo piano music
  • Composer of the opera Twelfth Night
  • Music performed across the U.S., Europe and Asia
  • Professor of Composition at the University of California, Santa Barbara
  • CDs on North/South Records and Cambria Master Recordings
For more information, email Jeffrey Jamesjamesarts@att.net
"Steven Gerber's Violin Concerto...Is A Major Addition to the Contemporary Violin Repertoire: Lyrical, Passionate, Dramatic, Beautifully Tailored to the Instrument's Character and Capabilities."
- the Washington Post                                  

(Chandos CD) "...Each Work Is An Important Addition to Music In the Late 20th Century, Its Sense of Evolution From Previous Generations Welcome at a Time When Change Seems to Have Become a Virtue In Itself."
- Fanfare                                  

(Chandos CD) "Every Once In a While, Something Comes Along That Is So Striking That the Usual List of Influences, Metaphors, and Descriptors Becomes Superfluous. Such Is the Case With Steven Gerber's First Symphony...the Three-Movement Work Held Me Mesmerized and Fascinated for Its Entire 25-Minute Length...What Is Found Is Expressive Lyricism, Searching Mystery, and Strucutral Cohesion..."
- American Record Guide                                  

For more information, email Jeffrey Jamesjamesarts@att.net



"...Kaufman Is Among the Most Deeply, Strikingly Talented Composers We Have Ever Encountered, Anywhere... a True Composer, Someone Sure to Contribute Significantly to This Country's Musical Culture."
- Steven Stucky, former Composer-In Residence, Los Angeles Philharmonic/Chairman of Music - Cornell University          

"...An Exceptional Talent In Every Way... He Produces Music at An Almost Alarming Rate..."
- Donald Erb, former Composer-In-Residence,St. Louis and Dallas Symphonies, Professor at Cleveland Institute of Music

"... Decisively Gifted With a Unique and Individual Voice... An Astonishing Catalogue of Characteristic Works All Bristling With force, Energy, As Well As Tender Expressiveness."
- Yehudi Wyner, Professor of Music, Brandeis University                                  

  • Read the Spring 2010 issue of Kaufman Notes here.
  • Hear Christopher Kaufman's Music for a New Series of Short Films Here
  • Hear examples of his 'Rhythm Streams' - which have a variety of contexts from film to commercials to works for dance. Snowbell Rhythm, Walking, Rhythm Stream and Solo, Dance Macabre.
  • Many More Links to Sound Samples at http://www.chkaufman.com/
  • Co-Facilitates the American Composers Alliance Festival of American Music
  • Write/Reviews for the New Music Connoisseur New Music Magazine.
  • Founder/Director of Chiron Performing Arts, Which Has Presented the Work of Hundreds of Artists of All Disciplines. Email jmusic800@optonline.net for More Information.
  • Many Commissions and Performances. Composed Many Works for a Wide Variety of Media Including Solo Works, Chamber, Ballet, theater Pieces, Wind Ensemble, Concertos and Full Orchestra (Refer to His Website for List of Works).
  • Kaufman's Island (Pron. Eeeslahnd) for Narrator and Full Orchestra Was Premiered by Sw Minnesota Orchestra.
  • Growing the Young Artist Component of the Chiron Performing Arts Festival. He Has Created a Unique Teaching System Which Has Young Students Composing Immediately and Teaches a Large Studio of Private Students. Creating a Cultural Exchange Project With Ukraine Using these Compositions.

For more information, email Jeffrey Jamesjamesarts@att.net



In Memnory of Meyer Kupferman & Soundspells Productions
"One of Our Native Music's Most Flamboyantly Individualistic Creators"
- Fanfare                                  

For more information, email Jeffrey Jamesjamesarts@att.net



"A Seminal Figure ... One of the Leading Postminimal Composers."
- the Village Voice                                  

"A force On the New Music Scene."
- Fanfare                                  

"Elodie Lauten Is Set to Become a Fixture Of Future Musical Lexicons."
- New Hope International                                  

  • Hear Elodie Lauten Underground Radio on Songza.com
  • Read Elodie Lauten's Essay "Skirting the Post-Classic Stretch" for American Music Center's Newmusicbox
  • One of the World's Leading Electronic Keyboardists
  • Pioneer Of Post-Minimalism and Experimental Music
  • Multifaceted Recording Artist With 18 Releases To-Date, With Lovely Music, New Tone, O.O. Discs, 4tay, Tellus, Frog Peak Music, Nonsequitur, Point/Polygram And Capitol
  • Cross-Over Artist From Electronica to Jazz to Classical Piano (One of Her Piano Pieces Is On the Chamber Music America Century List of 100 Best Works of the 20th Century), Chamber, Orchestral, Operatic and Vocal Music, With Many Successful Settings of Texts From Verlaine To Ginsberg
  • Multimedia Artist Whose Work Includes Drawings, Computer Art, Video and Installations

For more information, email Jeffrey Jamesjamesarts@att.net



"So Personal, So Distinct, So Assertive Are the Stylistic and Idiomatic Usages In the Works of Benjamin Lees That An Immediately Recognizable Gestalt Is formed From An Attentive Perusal of His Scores"
- Nicolas Slonimsky                                  

For more information, email Jeffrey Jamesjamesarts@att.net



"...A Composer of Extraordinary Ingenuity"
- Herman Trotter, Buffalo News                                  

"...A Compositional Tour-De-force ...Music Any Composer Would be Proud to Write"
- Music In Concert/ American Record Guide                                  

For more information, email Jeffrey Jamesjamesarts@att.net



Judith Sainte Croix Composer / Performer
"...Colorful, Varied, Sweetly Melodic And Rhythmically Vital..."
- Allan Kozinn, New York Times                                  
"...An Ear for Gorgeously, Original Textures..."
- Kyle Gann, the Village Voice                                  
"...A Mystical and Compelling Sound World..."
- Jim theobald, the New Music Connoisseur                                  
  • Works for Orchestra, Chamber Orchestra and Ensembles, Opera and Solo Piano. 
  • Compositions Combining Traditional Instruments With Indigenous Native American Instruments. 
  • Performances Throughout the U.S. Including Lincoln Center. 
  • Recipient of Gaudeamus Award Among Numerous Other Awards And Grants. 
  • Available for Concerts, Residencies and Workshops With Regional Chamber Groups. 
  • New CD Release - Visions Of Light and Mystery On Sonic Muse. 

For more information, email Jeffrey Jamesjamesarts@att.net



"...highly inventive music on every level: hugely enjoyable, and deeply involving, with a constant sense of surprise."
- Washington Post                                  
"...The profusion of musical ideas is both engaging and splendidly controlled..."
- San Francisco Chronicle                                  
"...musically riveting and brilliantly devised for the instrument."
- The Strad                                  
  • Read Her Winter 2011 Hearing Things Newsletter
  • Hear a New Judith Shatin Interview with Noizepunk and Das Krooner - Click On Show No. 23
  • Composer, Sound Artist, Community Partner, Educator
  • Orchestral music heard in performances this season by the San Jose and Illinois Chamber Orchestras and the Richmond and Memphis Symphonies.
  • Music commissioned by groups such as Core Ensemble, Kronos Quartet, National Symphony, Virginia Chamber Orchestra, Young People's Chorus of NYC
  • Partner in major community projects such as Preserving the Rural Soundscape, with Wintergreen Performings Arts, sponsored by Americans for the Arts Animating Democracy Program, with commission Singing the Blue Ridge (mezzo, baritone, orchestra and electronics from wild animal calls).
  • Subject of two-year retrospective at Shepherd College sponsored by the Lila Wallace-Readers Digest Arts Partners Program, culminating in commissioned piece, Coal, a folk oratorio, for Appalachian band, chorus, electronics and synthesizer.
  • Residencies at Cincinnati College Conservatory (Sonic Explorations), Austin Peay State University (New Directions Series), University of Minnesota

For more information, email Jeffrey Jamesjamesarts@att.net



"Atmospheric Sonorities, Satire & Whimsy"
- the New York Times                                  
"Rich Imagination & Assured Mastery"
- Washington Post                                  
"A Serious and Substantial Composition That Deserves a Permanent Place In the Keyboard Repertory."
- Tim Page - Washington Post                                  

For more information, email Jeffrey Jamesjamesarts@att.net



  • First Composer to win the Berlin Prize
  • Guggenheim Foundation Felowship
  • Performances by leading artists of our day including Dawn Upshaw (on tour 1997-2013, and on TDK Naxos), Matt Haimovitz, Janine Jansen, Miranda Cuckson, American Composer's Orchestra, Richmond Symphony, Franz Liszt Chamber Orchestra, New Juilliard Ensemble, Christina Jennings and many more.
  • Two time recipient of a Koussevitzky Commission
  • 9 time MacDowell Colony fellowship
  • 7 time Yaddo Fellowship
  • Performances at venues including Carnegie Hall (3x), Kennedy Center (4x), Alice Tully, Corcoran Gallery, Poisson Rouge, and Ravinia, Aspen and Tanglewood Music Festivals; and Internationally at the Berlin Philharmonic, Wigmore Hall, The Theatre du Chatale, and National Arts Center of Canada.
  • Fromm Foundation Commission
  • Harvard Music Musical Association Commission http://hmaboston.org/composers-commissions/
  • National Flute Association Young Artist Competition Work
  • American League of Orchestras/ New Music Alive residency with the Richmond Symphony
  • Prof. of Music composition UW-Madison
  • Website: http://www.lauraschwendinger.com/

Novus performs Sinfonietta by Laura Schwendinger from Laura Schwendinger on Vimeo.

For more information, email Jeffrey Jamesjamesarts@att.net



"Wallach's ability to abstract from experience and distill it into such a brilliantly wrought work is miraculous"
- Don Mager, Making Time, Eclectica.org July/Aug 2002                                  

"Her voice has the strength of Bartok (or Beethoven) - passionate, articulate, authentic and thoroughly moving"
- Mark Greenfest, The New Music Connoisseur                                  

"... a poignancy and bite that one rarely hears, even from the pen of a Beethoven"
- Mark Greenfest, The New Music Connoisseur                                  

"... with sexy and funny vocal lines... exciting, unusual and quite marvelous."
- IAWM Journal                                  

  • Read Her New The Dream of Now Newsletter
  • Pulitzer Prize nominee for String Quartet #2
  • 1st Prize - Inter-American Music Awards for On the Beach at Night Alone
  • Music for orchestra, chamber ensembles, solo voices and choruses
  • Music for drama, dance and concert stage
  • Vivid, passionate and lucid exploration of emotional terrain and inner landscapes
  • Published by E.C.Schirmer, C.F.Peters, and Carl Fischer
  • engaging and exciting public speaker
    - broad range of musical subjects
    - relating music's meaning to the worlds of other arts and ideas
    - bringing fresh insights to familiar works
    - opening doors to modern ones and to those less frequently heard

For more information, email Jeffrey Jamesjamesarts@att.net



"(Revelation) Is a Brilliant Work, and In and of Itself, a Compelling Reason for Acquiring This Disc."
- Fanfare                                  

"A Rare Gem - a Work of Fine Art Both Contemporary and Sacred ... Spirals of Light Is a Marvelous Work"
- Wilmington Morning Star                                  

"Wonderfully Unified and Using a Modern Musical Idiom That Compels Listener Involvement, As the Waters Cover the Sea (A Tribute to Mozart) Is a Tribute to Music's Ability to Renew and Transform Older Models. Warshauer's Style Is Mature, Comprehensive and Dynamic."
- the Post and Courier, Charleston                                  

"Exquisite ... Shacharit, a Masterpiece of form and Content, Effectively Captured a Sense of the Spirituality of the Jewish People."
- Lynn Morris, the State, Columbia, SC                                  

  • Read Spring 2010 Issue of Bracha – the Newsletter of Meira Warshauer
  • Hear an Excerpt of Meira Warshauer's Jerusalem Open Your Gates from the MMC CD Musicscapes, Volume I Here

  • Hear a New Meira Warshauer Interview with Noizepunk and Das Krooner - Click On Show No. 25
  • World Premiere Performance of Meira WarshauerSymphony No. 1 Living, Breathing Earth by Western Piedmont Symphony of North Carolina. Read Carson Cooman's Three Questions Before The First Night Feature About The Premiere Here. Read a Classical Voice North Carolina Review Here.
  • Shevet Achim (Brothers Dwell)" for Two Bass Clarinets, Commissioned by Richard Nunemaker. First Performance With Michael Lowenstern and Evan Spritzer at Tikkun Community Conference, Stephen Wise Free Synagogue, New York, 2002. Recorded by Richard Nunumaker for Arizona University Recordings.
  • CDs: Soundtrack to Land of Promise: the Jews of South Carolina and "Spirals of Light", Chamber Music and Poetry (Ani Tuzman) on themes of Enlightenment, on Kol Meira Label and Available Online From CD Baby, "Revelation" for Orchestra, included On Robert Black Conducts, MMC Recordings, Available From http://www.Amazon.com and MMC.
  • "Yes!" for Clarinet and Orchestra, Written for and Recorded by Richard Stoltzman and the Warsaw Philharmonic, Released on MMC.
  • "We Are Dreamers", Based On Psalm 126, Commissioned by the Zamir Chorale of Boston, Joshua Jacobson, Director, With a Consortium of Choruses In New York (Rottenberg Chorale, Merkin Hall), New Jersey (Kol Dodi), Philadelphia (Gratz College), and Washington, Dc (Zemer Chai), In Honor of the 50th Anniversary of the State of Israel.
  • "Like Streams In the Desert", Commissioned by the Dayton Philharmonic Orchestra, Neal Gittleman, Conductor, and the Jewish Federation of Greater Columbus, In Honor of Israel's 50th Anniversary. Subsequently Performed by Wilmington (Nc) Symphony, Western Piedmont (Nc) Symphony, South Shore (Mi) Symphony, Los Angeles Jewish Symphony In Concert (Royce Hall) and In Sephardic Education Concerts. Scheduled for Fall, 2003, at Clemson University, Andrew Levin, Conductor.
  • "Jerusalem, Open Your Gates", Premiered by the Hillel Festival Orchestra, Donald Portnoy, Conductor, University of South Carolina, In Honor of Israel's 50th Anniversary. Subsequently Performerd by Millikin-Decatur (Il) Symphony Orchestra, University of South Carolina Symphony, and Broadcast On Voice of Israel Radio (2002).
  • Violinist Daniel Heifetz and the Classical Band Performed Warshauer's "Yiddish Fantasy" Throughout the United States In Over 20 Venues During 2001-2002. Heifetz Will Perform "Bracha", for Violin and Piano; "Songs From the Holocaust" for Soprano (With Carmen Balthrop), Violin, and Piano; and "Yiddish Fantasy" In Concert April 6, 2003 at the Clarice Smith Performing Arts Center, University of Maryland.
  • Score for the Documentary Video Land of Promise: the Jews of South Carolina, Commissioned by the Jewish Historical Society of South Carolina; Broadcast On Sc Educational Television In Fall, 2002, and Shown As Part of Jewish Film Festival of the Nickelodeon theatre, Columbia, Sc, April, 2003, and at Yeshiva University Museum, Nyc, Throughout Spring, 2003.
  • "In Memoriam September 11" for Solo Cello and String Orchestra, Premiered at Israel Embassy, Washington, Dc, by King David Strings (Members of the Jerusalem Symphony), Ina Esther Joost, Cellist, February, 2003. Solo Cello Version Performed by Robert Jesselson May be Heard Online at "September 11 Musical Gallery," http://www.Kalvos.org.
  • Publishers: Oxford University Press (http://www.oup-usa.org/music/), MMB (http://www.mmbmusic.com/), and World Music Press (http://worldmusicpress.com.)
  • Visiting Lecturer at Columbia College, Columbia, SC. Warshauer's Innovative Course, "The Healing Art of Music," Is a Cross-Cultural, Multidisciplinary Approach to the Experience of Music as a Source of Healing.

For more information, email Jeffrey Jamesjamesarts@att.net



  • Read the Summer 2009 Issue of The 50th Gate - the Newsletter of David Winkler
  • David Winkler Piano Concerto and Elements Concerti Recorded for Naxos
  • Hear an excerpt of Concert Prelude for Strings here.
  • New Commissions for Queens Chamber Band (Concerto for Harpsichord and Strings), Chamber Orchestra Kremlin (Concerto for String Quartet and String Orchestra), Berlin Sinfonietta (Concert Prelude for String Orchestra), flutist Yossi Arnheim (Concerto for Flute and String Orchestra), violinist Anna Rabinova (Elements Concerti, four connected concerti for violin and strings) and pianist Mirian Conti (Variations on an Original Theme).
  • "Concert Prelude for String Orchestra" premiered by the Berlin Sinfonietta in Paris, France January 8, 2004 (Vladimir Stoupel conducting) performed again on June 17, 2004 in Moscow, Chamber Orchestra Kremlin, Misha Rachlevsky conducting (http://www.chamberorchestrakremlin.ru/).
  • The 50th Gate, (short symphony on one movement) commissioned by the National Symphony Orchestra of Bolivia (2003) and premiered in LaPaz March 22-24, 2004, David Handel conducting.
  • Symphonic Overtures "Prima" and "Dopo" Were Premiered by the Daegu City Symphony In Daegu City, South Korea March, April and July, 2003). Prima Overture Was Also a Featured Work In the Vakhtang Jordania International Conducting Competition In Ukraine and Was Conducted by Yuri Yanko On September 12, 2003 With the Kharkov Philharmonic Orchestra.
  • Symphony No. 2 - "Symphonies Eterna" for Chorus and Orchestra World Premiere On September 19, 2002 Also With Kharkov Philharmonic, Conducted by the Orchestra's Laureate Music Director for Life, Vakhtang Jordania - Commissioned by the City of Kharkov to Celebrate Ukrainian Victory Day - their Equivalent of Memorial Day In America.
  • Recipient of a 2002-03 New York Foundation for the Arts Fellowship In Composition.
  • Commissioned by the Alabama Symphony, Richard Westerfield Music Director, to Compose a New Large-Scale Work for Soprano and Baritone Soloists, Large Mixed Chorus and Symphony Orchestra Called "Symphony America" (Symphony No. 3)
  • Also Received Commissions From the Houston Grand Opera, the Kennedy Center for the Performing Arts, the Aspen Music Festival, a Leonard Bernstein Composer Fellowship, a Fromm Foundation Commission, the BMI Young Composer Award and Was Recipient of Special ASCAP Award for Seven Consecutive Years
  • Selected List of Works at http://www.davidwinklermusic.com

For more information, email Jeffrey Jamesjamesarts@att.net



"Doctuh" Michael Woods

For more information, email Jeffrey Jamesjamesarts@att.net



"Exquisitely Crafted, Vivdly Characterized and Wholly Appealing Music"
- New York Times                                  

For more information, email Jeffrey Jamesjamesarts@att.net




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